Published: 2025-12-20

Kula, crni Arapin and Asanaginica. Discovering the topos of the “immured woman” in Goran folklore

Marzena Anna Maciulewicz
Zeszyty Łużyckie
Section: Articles
DOI https://doi.org/10.32798/zl.1927

Abstract

The folk topos of the “immured woman”, originating in oral tradition and accessible to contemporary audiences in the form of songs, legends and ballads, is an expression of the ancient belief in the necessity of making a sacrifice during the construction of a building in order for it to last. The subject of this article is the Goran variant of the ballad with this topos from Nazif Dokle’s collection entitled Goranske narodne balade / Ballada popullore gorane [“Goran Folk Ballads”] published in 2012 in Prizren, Kosovo. The Gorani are a small Slavic-speaking Muslim community inhabiting the Gora region, currently located on the border of southern Kosovo, north-eastern Albania and north-western North Macedonia.

This text is an attempt to reflect on the Gorani variant, seen in the context of the specificity of a cultural region characterized by the inadequacy of territorial borders in relation to cultural borders, which the topos of the immured woman easily transcends. In my analysis, I take into account motifs found in Albanian, Bosnian, Bulgarian, Macedonian and Serbian cultural variants, which incorporate the work of the inhabitants of Gora into their own cultural heritage. Among the original elements of the Goran ballad with the topos, I identify: the presence of the erected object – a kula [‘tower’], the characters of Asan-aga and Asanađinica from Asanaginica and the figure of the black Arab. I interpret the identified motifs taking into account the complexity of the Goran identity resulting from the specific position of the minority between national groups, the circumstance of increased mobility, the status of Goran folk art and the contemporary identity dilemmas of the inhabitants of Gora, divided by national borders.

Supporting Agencies

NCN OPUS (2020/37/B/HS2/00152): „Topos «wmurowanej kobiety» w kulturach Europy Południowo-Wschodniej i Węgier”

Keywords:

the topos of an “immured woman”, Gora, Asanaginica, ballad

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Maciulewicz, M. A. (2025). Kula, crni Arapin and Asanaginica. Discovering the topos of the “immured woman” in Goran folklore. Zeszyty Łużyckie, 63(2). https://doi.org/10.32798/zl.1927

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