Punkt widzenia (w czterech odsłonach)


Abstrakt

The article aims to analyse four important point of view novels, namely Henry James’ The Ambassadors, Zasypie wszystko, zawieje [Everything Will Be Covered by the Snow] by Włodzimierz Odojewski, The Flanders Road by Claude Simon, and Morfina [Morphine] by Szczepan Twardoch. The notion of point of view serves as a starting point for considering the epistemological aspects of the novel and for tracing its evolution. James, both in his theory and novelistic practice, uses the point of view to make the character’s consciousness the main theme of his novels. Odojewski employs internal monologue to render the characters’ perspective, while Simon combines internal monologue with other voices. Finally, Twardoch’s novel can be interpreted as a parody of the point of view technique.

Słowa kluczowe

punkt widzenia; Henry James; Włodzimierz Odojewski; Claude Simon; Szczepan Twardoch

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Twardoch, Szczepan. Morfina [Morphine]. Kraków: Wydawnictwo Literackie, 2012.


Opublikowane : 2019-06-28


Mitosek, Z. (2019). Punkt widzenia (w czterech odsłonach). Prace Filologiczne. Literaturoznawstwo, (8(11) cz.1), 129-140. https://doi.org/10.32798/pflit.60

Zofia Mitosek 
Uniwersytet Warszawski  Polska




Wszystkie artykuły prezentowane na łamach „Prace Filologiczne. Literaturoznawstwo” są publikowane w otwartym dostępie na licencji Creative Commons Uznanie autorstwa wersja 3.0  (CC-BY)