Atienza, B., Horwits, M., King, J. (Producers), & Bayona, J. A. (Director). (2016). A monster calls [Motion picture]. Spain, United Kingdom, & United States: Universal Pictures & Entertainment One Films.
Google Scholar
Bloom, B. S. (Ed.). (1956). Taxonomy of educational objectives. Book 1: Cognitive domain. New York, NY: David McKay.
Google Scholar
Buckley, C. (2014). Gothic and the child reader, 1850–present. In G. Byron & D. Townshend (Eds.), The Gothic world (pp. 254–263). London & New York, NY: Routledge.
Google Scholar
Day, G. (2012). Good grief: Bereavement literature for young adults and A Monster Calls. Medical Humanities, 38(2), 115–119. https://doi.org/10.1136/medhum-2012-010260.
Google Scholar
Facione, P. A. (2015). Critical thinking: What it is and why it counts. Insight Assessment. Retrieved from https://www.insightassessment.com/About-Us/Measured-Reasons/pdf-file/Critical-Thinking-What-It-Is-and-Why-It-Counts-PDF/(language)/eng-US. (Original work published 1992).
Google Scholar
Farnia, F. (2017). A comparative study of the model of empowerment in six selected Iranian and English young adult novels. Unpublished PhD thesis, The International Division, Shiraz University, Shiraz, Iran.
Google Scholar
Farnia, F., & Pourgiv, F. (2017). Empowerment in A Monster Calls by Patrick Ness. LiBRI, 6(2), 41–49.
Google Scholar
Greene, E., & Del Negro, J. M. (2010). Storytelling: Art and technique (4th ed.). Santa Barbara, CA: Libraries Unlimited.
Google Scholar
Jones, N. (2012, June 14). A Monster Calls: Patrick Ness and Jim Kay talk about their Carnegie and Greenaway wins. The Telegraph. Retrieved from https://www.telegraph.co.uk/culture/books/9331493/A-Monster-Calls-Patrick-Ness-and-Jim-Kaytalk-about-their-Carnegie-and-Greenaway-wins.html.
Google Scholar
Khosronejad, M. (2004). M's ūmīyat Va Tajrubih: Darāmadī Bar Falsafiy Adabīyat-i Kūdak. Tehran: Markaz Publication.
Google Scholar
Klammer, S. (n.d.). 100 art therapy exercises – the 2019 updated list. Expressive Art Inspirations. Retrieved from https://intuitivecreativity.typepad.com/expressiveartinspirations/100-art-therapy-exercises.html.
Google Scholar
López Díez, J. (2018). J. A. Bayona’s ecstatic truth. International Journal of Film and Media Arts, 3(1), 40–55.
Google Scholar
McCort, J. R. (2016). Introduction: Why horror? (Or, the importance of being frightened). In J. R. McCort (Ed.), Reading in the dark: Horror in children’s literature and culture (pp. 3–36). Jackson, MS: University Press of Mississippi.
Google Scholar
McCullum, R. (2018). Screen adaptations and the politics of childhood: Transforming children’s literature into film. London: Palgrave MacMillan.
Google Scholar
Moradpour, N. (2016). Shigardhā-Yi Tamarkuzzudāyy Dar Qis s ihā-I Īrānī Bi Kūshishi. Injavī Yi Shīrāzī. Iranian Children’s Literature Studies 6(2), 139–164.
Google Scholar
Ness, P. (2011). A monster calls: Inspired by an idea from Siobhan Dowd. New York, NY: Candlewick.
Google Scholar
Nikolajeva, M. (2010). Power, voice and subjectivity in literature for young readers. New York, NY & London: Routledge.
Google Scholar
Sadan, E. 2004. Empowerment and community planning (R. Flantz, trans.). Retrieved from http://www.mpow.org/elisheva_sadan_empowerment.pdf. (Original work published 1997).
Google Scholar
Sasada, H. (2013). The portrayal of monsters in illustrated children’s books: Catharsis in A Monster Calls. Bulletin of Seisen University, 61, 67–79.
Google Scholar
Sun, K. (2018). Real dragons: Monster symbolism in Maurice Sendak’s Outside Over There, Neil Gaiman’s Coraline, and Patrick Ness’ A Monster Calls. The Looking Glass, 21(1), 10–14.
Google Scholar
Taylor, M. A. (2010). The monster chronicles: The role of children’s stories featuring monsters in managing childhood fears and promoting empowerment. Unpublished master’s thesis, Faculty of Creative Industries, Queensland University of Technology, Brisbane, Australia. Retrieved from https://eprints.qut.edu.au/37305/1/Michelle_Taylor_Thesis.pdf.
Google Scholar